Hellenistic Bronze statuette of a veiled and masked dancer, 3rd–2nd century BCE, Ptolemaic Period, Egypt

A week ago, I illustrated one of my "wisdom" posts with an image of a veiled vestal virgin produced by Italian sculptor Antonio Corradini.  He is famous for his ability to use solid medium like marble to depict illusory veiled women where the contours of their face and body can be discerned beneath the "veil".  Well, this morning while browsing artifacts in the collection of the Metropolitan Museum of Art, I saw an amazing Greek bronze sculpture created in the 3rd - 2nd century BCE in Alexandria, Egypt that possesses the same ethereal quality as those much more modern sculptures of Corradini.

The Metropolitan Museum of Art observes:

The complex motion of this dancer is conveyed exclusively through the interaction of the body with several layers of dress. Over an undergarment that falls in deep folds and trails heavily, the figure wears a lightweight mantle, drawn tautly over her head and body by the pressure applied to it by her right arm, left hand, and right leg. Its substance is conveyed by the alternation of the tubular folds pushing through from below and the freely curling softness of the fringe. The woman's face is covered by the sheerest of veils, discernible at its edge below her hairline and at the cutouts for the eyes. Her extended right foot shows a laced slipper. This dancer has been convincingly identified as one of the professional entertainers, a combination of mime and dancer, for which the cosmopolitan city of Alexandria was famous in antiquity.



Image: Hellenistic Bronze statuette of a veiled and masked dancer, 3rd–2nd century BCE, purchased from a Cairo antiquities dealer in 1926 and thought to be from Alexandria, Egypt.


Comments

Post a Comment

Popular posts from this blog

Imperial Italic G Roman helmet found near Hebron at the Israel Museum in Jerusalem

Image
Imperial Italic G Roman helmet found near Hebron at the Israel Museum in Jerusalem. This distinctive Imperial Italic G-style helmet was a 2nd century development derived from the earlier Coolus-style helmets with a domed bowl fashioned after La Tène III helmet types. The original Coolus-style helmets were named after the city of Coolus in northeastern France where a helmet of the Coolus type was dredged from the River Marne. Ro man helmets were typically constructed of a copper alloy or bronze. Some were spun on a lathe rather than hammered into shape with a turned, cast-soldered or riveted crest knob. The brow-guard was designed to protect the front of the face from downward-slashing sword blows, just as the neck-guard was intended to deflect blows aimed at the nape of the neck and shoulders. The Hebron helmet is also constructed with post-Dacian Wars crossbars on the crown, thought to have been part of the original construction, as evidenced by the brass lunate decorations applie
Read more

A Brief History of Ships' Eyes

Image
(condensed from the Master's thesis of Troy Joseph Nowak, Texas A&M University, 2006, "Archaeological Evidence for Ship Eyes: An Analysis of Their Form and Function  ( https://nautarch.tamu.edu/pdf-files/Nowak-MA2006.pdf#:~:text=bows%20of%20ancient%20Greek%20ships%20between%20the%205th,guided%20the%20ship%20and%20helped%20to%20avoid%20hazards .) Between the Bronze Age and the 3rd century BCE, all types of watercraft used in the Mediterranean from small boats to large galleys were commonly adorned with eyes on their bows.  In Greece, the earliest clear depiction of a ship with eyes is a Late Helladic clay ship model decorated with circular eyes discovered at Phylakopi, Melos. However, ship representations with eyes do not reappear in the archaeological record again until the Geometric Period.  Excavations in the Dipylon cemetery at Athens have yielded an impressive collection of Late Geometric I [c. 760 to 735 BCE] ceramics decorated with ships. Eyes adorn the bows of these
Read more

Roman and Byzantine mosaics at the Haleplibahçe Mosaics Museum in Şanlıurfa, Turkey.

Image
Roman and Byzantine mosaics at the Haleplibahçe Mosaics Museum in Şanlıurfa, Turkey. Opened in 2015, the modern 6,000 square meter Haleplibahce Mosaic Museum houses the remains of the mosaic pavements of a large Roman villa uncovered during a municipal construction project i n Şanlıurfa, Turkey. Şanlıurfa, also known as Urfa, is built on the site of the ancient Greek city of Edessa. Discoveries include mosaics depicting the life of Achilles, including his mother, Thetis, holding him by the heel and dipping him into the waters of the River Styx, his training by the centaur, Chiron, and his departure for the Trojan War. Another pavement depicts Amazon queens hunting wild beasts. Mosaics from other archaeological areas depict various animals, Ktisis, a figure personifying the act of generous donation or foundation often found in 6th century Greek mosaics, and a 2nd century CE depiction of the myth of Orpheus. The Orpheus mosaic was recently repatriated from the Dallas Museum of Art.
Read more