Jupiter Applique Roman 1st-2nd century CE at the Kunsthistorisches Museum Wien in Vienna, Austria

Jupiter Applique Roman 1st-2nd century CE at the Kunsthistorisches Museum Wien in Vienna, Austria.
"The Zeus of the Greeks, whom Homer already describes as the "father of men and gods", was also the highest imperial god among the Romans as Jupiter Optimus Maximus (best and greatest). The mighty head of the god, who was always bearded in Greco-Roman antiquity, bears an oak wreath. The oak was sacred to Zeus, and the rustling of its leaves was used to prophesy in the oracle sanctuary of Dodona. The hair streaks up over the furrowed forehead in the manner of the portrait of Alexander the Great and frames the broad face with moving, softly modeled curls. A cloth is placed over the back of the head, which falls down on the left side of the body and lies on the right shoulder. The veiling of the head is sacral, but also a reference to the cosmic sphere of clouds and sky. The winged bolt of lightning on its right side should not only be understood as a weapon of God, but also as a symbol of fruitful thunderstorms. The bronze bust, which can be traced back to a Roman antique collection by a copper engraving by Pietro Santo Bartoli before 1700, was part of a device, as the horizontal cut on the back of the head, which served as a support, proves." - Kunsthistorisches Museum Wien


Image: Jupiter Applique Roman 1st-2nd century CE based on a Greek model of the last half of the 4th century BCE at the Kunsthistorisches Museum Wien in Vienna, Austria. Image courtesy of the museum.

Comments

Post a Comment

Popular posts from this blog

Imperial Italic G Roman helmet found near Hebron at the Israel Museum in Jerusalem

Image
Imperial Italic G Roman helmet found near Hebron at the Israel Museum in Jerusalem. This distinctive Imperial Italic G-style helmet was a 2nd century development derived from the earlier Coolus-style helmets with a domed bowl fashioned after La Tène III helmet types. The original Coolus-style helmets were named after the city of Coolus in northeastern France where a helmet of the Coolus type was dredged from the River Marne. Ro man helmets were typically constructed of a copper alloy or bronze. Some were spun on a lathe rather than hammered into shape with a turned, cast-soldered or riveted crest knob. The brow-guard was designed to protect the front of the face from downward-slashing sword blows, just as the neck-guard was intended to deflect blows aimed at the nape of the neck and shoulders. The Hebron helmet is also constructed with post-Dacian Wars crossbars on the crown, thought to have been part of the original construction, as evidenced by the brass lunate decorations applie
Read more

A Brief History of Ships' Eyes

Image
(condensed from the Master's thesis of Troy Joseph Nowak, Texas A&M University, 2006, "Archaeological Evidence for Ship Eyes: An Analysis of Their Form and Function  ( https://nautarch.tamu.edu/pdf-files/Nowak-MA2006.pdf#:~:text=bows%20of%20ancient%20Greek%20ships%20between%20the%205th,guided%20the%20ship%20and%20helped%20to%20avoid%20hazards .) Between the Bronze Age and the 3rd century BCE, all types of watercraft used in the Mediterranean from small boats to large galleys were commonly adorned with eyes on their bows.  In Greece, the earliest clear depiction of a ship with eyes is a Late Helladic clay ship model decorated with circular eyes discovered at Phylakopi, Melos. However, ship representations with eyes do not reappear in the archaeological record again until the Geometric Period.  Excavations in the Dipylon cemetery at Athens have yielded an impressive collection of Late Geometric I [c. 760 to 735 BCE] ceramics decorated with ships. Eyes adorn the bows of these
Read more

Roman and Byzantine mosaics at the Haleplibahçe Mosaics Museum in Şanlıurfa, Turkey.

Image
Roman and Byzantine mosaics at the Haleplibahçe Mosaics Museum in Şanlıurfa, Turkey. Opened in 2015, the modern 6,000 square meter Haleplibahce Mosaic Museum houses the remains of the mosaic pavements of a large Roman villa uncovered during a municipal construction project i n Şanlıurfa, Turkey. Şanlıurfa, also known as Urfa, is built on the site of the ancient Greek city of Edessa. Discoveries include mosaics depicting the life of Achilles, including his mother, Thetis, holding him by the heel and dipping him into the waters of the River Styx, his training by the centaur, Chiron, and his departure for the Trojan War. Another pavement depicts Amazon queens hunting wild beasts. Mosaics from other archaeological areas depict various animals, Ktisis, a figure personifying the act of generous donation or foundation often found in 6th century Greek mosaics, and a 2nd century CE depiction of the myth of Orpheus. The Orpheus mosaic was recently repatriated from the Dallas Museum of Art.
Read more