Wild boars in ancient art

The wild boar features prominently in the cultures of Indo-European people, many of which saw the animal as embodying warrior virtues. Cultures throughout Europe and Asia Minor saw the killing of a boar as proof of one's valor and strength. Neolithic hunter gatherers depicted reliefs of ferocious wild boars on their temple pillars at Göbekli Tepe some 11,600 years ago. Virtually all heroes in Greek mythology fight or kill a boar at one point. The demigod Herakles' third labor involves the capture of the Erymanthian Boar, Theseus slays the wild sow Phaea, and a disguised Odysseus is recognised by his handmaiden Eurycleia by the scars inflicted on him by a boar during a hunt in his youth. To the mythical Hyperboreans, the boar represented spiritual authority. Several Greek myths use the boar as a symbol of darkness, death and winter. One example is the story of the youthful Adonis, who is killed by a boar and is permitted by Zeus to depart from Hades only during the spring and summer period. This theme also occurs in Irish and Egyptian mythology, where the animal is explicitly linked to the month of October, therefore autumn. This association likely arose from aspects of the boar's actual nature. Its dark colour was linked to the night, while its solitary habits, proclivity to consume crops and nocturnal nature were associated with evil. The foundation myth of Ephesus has the city being built over the site where Prince Androklos of Athens killed a boar. Boars were frequently depicted on Greek funerary monuments alongside lions, representing gallant losers who have finally met their match, as opposed to victorious hunters as lions are. The theme of the doomed, yet valorous boar warrior also occurred in Hittite culture, where it was traditional to sacrifice a boar alongside a dog and a prisoner of war after a military defeat.

The boar as a warrior also appears in Scandinavian, Germanic and Anglo-Saxon culture, with its image having been frequently engraved on helmets, shields and swords. According to Tacitus, the Baltic Aesti featured boars on their helmets and may have also worn boar masks. The boar and pig were held in particularly high esteem by the Celts, who considered them to be their most important sacred animal. Some Celtic deities linked to boars include Moccus and Veteris. It has also been suggested that some early myths surrounding the Welsh hero Culhwch involved the character being the son of a boar god.

Here is a selection of ancient art I have photographed depicting wild boars:

Amulet depicting a boar between two lion heads Italic 500-400 BCE Amber Getty Villa, Pacific Palisades, California

Closeup of Plate depicting a boar hunt Persia (Iran) Sasanian Period 4th century CE Silver and Gilt Smithsonian Sackler Gallery, Washington D.C.

Boar Corinthian-style Etruscan helmet incised with images of boars Bronze 5th century BCE at the Dallas Museum of Art in Dallas, Texas

Boar attacked by two dogs from the peristyle garden of the House of the Citharist Pompeii 1st century CE

Boar fresco in the House of the Ceii in Pompeii 1st century CE

Mosaic depicting a boar confronting a hunting dog from 5th-6th century CE Carthage at the British Museum

Boar in a Roman mosaic of Orpheus Taming the Animals 204 CE at the Dallas Museum of Art in Dallas, Texas

Closeup of Sarcophagus depicting the Calydonian hunt, representing the hero Meleager and the goddess Artemis. Proconnesian marble, Roman, (2nd century CE?) at the Capitoline Museum in Rome, Italy.
 

Comments

Post a Comment

Popular posts from this blog

Imperial Italic G Roman helmet found near Hebron at the Israel Museum in Jerusalem

Image
Imperial Italic G Roman helmet found near Hebron at the Israel Museum in Jerusalem. This distinctive Imperial Italic G-style helmet was a 2nd century development derived from the earlier Coolus-style helmets with a domed bowl fashioned after La Tène III helmet types. The original Coolus-style helmets were named after the city of Coolus in northeastern France where a helmet of the Coolus type was dredged from the River Marne. Ro man helmets were typically constructed of a copper alloy or bronze. Some were spun on a lathe rather than hammered into shape with a turned, cast-soldered or riveted crest knob. The brow-guard was designed to protect the front of the face from downward-slashing sword blows, just as the neck-guard was intended to deflect blows aimed at the nape of the neck and shoulders. The Hebron helmet is also constructed with post-Dacian Wars crossbars on the crown, thought to have been part of the original construction, as evidenced by the brass lunate decorations applie...
Read more

The iconic kausia hat of ancient Macedon

Image
 While researching artwork of ancient Macedon this morning, I stumbled across an interesting image of a 3rd Century BCE Macedonian wearing a kausia, headgear said by some scholars to be adapted from a style worn in the Hindu Kush during Alexander the Great's campaign there.  Other scholars think the kausia was identified with Macedonia for too long to have been imported from Asia.   Depictions of the kausia can be found on a variety of coins and statues found from the Mediterranean to the Greco-Bactrian kingdom and the Indo-Greeks in northwestern India. The Persians referred to both the rest of the Greeks and Macedonians as "Yauna" (Ionians), but made a distinction between "Yauna by the sea" and those "with hats that look like shields" (yauna takabara), probably referring to the Macedonian kausia hat.  You can see Alexander himself wearing a kausia and fighting an Asiatic lion with his friend Craterus in a late 4th century BCE mosaic from Pella as well...
Read more

Roman and Byzantine mosaics at the Haleplibahçe Mosaics Museum in Şanlıurfa, Turkey.

Image
Roman and Byzantine mosaics at the Haleplibahçe Mosaics Museum in Şanlıurfa, Turkey. Opened in 2015, the modern 6,000 square meter Haleplibahce Mosaic Museum houses the remains of the mosaic pavements of a large Roman villa uncovered during a municipal construction project i n Şanlıurfa, Turkey. Şanlıurfa, also known as Urfa, is built on the site of the ancient Greek city of Edessa. Discoveries include mosaics depicting the life of Achilles, including his mother, Thetis, holding him by the heel and dipping him into the waters of the River Styx, his training by the centaur, Chiron, and his departure for the Trojan War. Another pavement depicts Amazon queens hunting wild beasts. Mosaics from other archaeological areas depict various animals, Ktisis, a figure personifying the act of generous donation or foundation often found in 6th century Greek mosaics, and a 2nd century CE depiction of the myth of Orpheus. The Orpheus mosaic was recently repatriated from the Dallas Museum of Art. ...
Read more