Etruscan Candelabrum Stand of a Dancing Maenad 525-500 BCE at the Cleveland Art Museum

Conceived primarily in two dimensions—front and rear silhouette—this small bronze dancer probably once belonged to an elaborate candelabra or incense burner. The exaggeratedly long fingers and pointed shoes characterize the work as Etruscan, as do the stylized folds of the figure’s dress, which add visual interest but not verisimilitude. While her right hand holds above her head a cylindrical support, her left squeezes a small object, perhaps a fruit or clapper. - Cleveland Art Museum

Etruscan fashion reflected the influence of Ionia and the Near East especially in pointed footwear, soft conical hats, and generally highly decorative patterns. Increased trade with Greece and Magna Graecia resulted in the adoption of long dresses secured at the shoulder by a brooch, light shawls, a long, simple white cloak (himation) with a red or black border, and a short-sleeved tunic (chiton) made from linen.  However, the Etruscans' flamboyant taste was expressed in much more vibrant colors than the Greeks or Romans as indicated by their tomb murals, although scholars think they were depicted in ceremonial finery rather than everyday dress. The clothing of both men and women often featured lavish embroidery. The Greek scholar Posidonius observed that even the clothing of Etruscan entertainers was "more beautiful than is fitting for slaves" (Heurgon, 172).

It was the Etruscans who ultimately gave the basic toga, known as the trebenna, to the Romans, although the Romans would lengthen it and change the drapery of the folds.

I highly recommend Mark Cartwright's detailed article on Etruscan clothing:

https://www.ancient.eu/article/1018/etruscan-clothing/

Image: Etruscan Candelabrum Stand of a Dancing Maenad 525-500 BCE at the Cleveland Art Museum in Cleveland, Ohio courtesy of the museum.

Comments

Post a Comment

Popular posts from this blog

Imperial Italic G Roman helmet found near Hebron at the Israel Museum in Jerusalem

Image
Imperial Italic G Roman helmet found near Hebron at the Israel Museum in Jerusalem. This distinctive Imperial Italic G-style helmet was a 2nd century development derived from the earlier Coolus-style helmets with a domed bowl fashioned after La Tène III helmet types. The original Coolus-style helmets were named after the city of Coolus in northeastern France where a helmet of the Coolus type was dredged from the River Marne. Ro man helmets were typically constructed of a copper alloy or bronze. Some were spun on a lathe rather than hammered into shape with a turned, cast-soldered or riveted crest knob. The brow-guard was designed to protect the front of the face from downward-slashing sword blows, just as the neck-guard was intended to deflect blows aimed at the nape of the neck and shoulders. The Hebron helmet is also constructed with post-Dacian Wars crossbars on the crown, thought to have been part of the original construction, as evidenced by the brass lunate decorations applie...
Read more

The iconic kausia hat of ancient Macedon

Image
 While researching artwork of ancient Macedon this morning, I stumbled across an interesting image of a 3rd Century BCE Macedonian wearing a kausia, headgear said by some scholars to be adapted from a style worn in the Hindu Kush during Alexander the Great's campaign there.  Other scholars think the kausia was identified with Macedonia for too long to have been imported from Asia.   Depictions of the kausia can be found on a variety of coins and statues found from the Mediterranean to the Greco-Bactrian kingdom and the Indo-Greeks in northwestern India. The Persians referred to both the rest of the Greeks and Macedonians as "Yauna" (Ionians), but made a distinction between "Yauna by the sea" and those "with hats that look like shields" (yauna takabara), probably referring to the Macedonian kausia hat.  You can see Alexander himself wearing a kausia and fighting an Asiatic lion with his friend Craterus in a late 4th century BCE mosaic from Pella as well...
Read more

Roman and Byzantine mosaics at the Haleplibahçe Mosaics Museum in Şanlıurfa, Turkey.

Image
Roman and Byzantine mosaics at the Haleplibahçe Mosaics Museum in Şanlıurfa, Turkey. Opened in 2015, the modern 6,000 square meter Haleplibahce Mosaic Museum houses the remains of the mosaic pavements of a large Roman villa uncovered during a municipal construction project i n Şanlıurfa, Turkey. Şanlıurfa, also known as Urfa, is built on the site of the ancient Greek city of Edessa. Discoveries include mosaics depicting the life of Achilles, including his mother, Thetis, holding him by the heel and dipping him into the waters of the River Styx, his training by the centaur, Chiron, and his departure for the Trojan War. Another pavement depicts Amazon queens hunting wild beasts. Mosaics from other archaeological areas depict various animals, Ktisis, a figure personifying the act of generous donation or foundation often found in 6th century Greek mosaics, and a 2nd century CE depiction of the myth of Orpheus. The Orpheus mosaic was recently repatriated from the Dallas Museum of Art. ...
Read more