Camillus: Second Founder of Rome

Marcus Furius Camillus (c. 446 – 365 BCE) was a Roman soldier and statesman of the patrician class. According to Livy and Plutarch, Camillus triumphed four times, was five times dictator, and was honored with the title of Second Founder of Rome.  Camillus belonged to the lineage of the Furii Camilli, whose origin had been in the Latin city of Tusculum. Although this city had been a bitter enemy of the Romans in the 490s BCE, after both the Volsci and Aequi later began to wage war against Rome, Tusculum joined Rome, unlike most Latin cities. Soon, the Furii integrated into Roman society, accumulating a long series of magistrate offices. Thus the Furii had become an important Roman family by the 450s.

In 406 BCE, Rome declared war against the rival Etrurian city of Veii. The city of Veii was powerful and was located on a well-fortified and elevated site. This required the Romans to commence a siege lasting several years. In 401 BCE, as the war started to grow increasingly unpopular in Rome, Camillus was appointed consular tribune. He assumed command of the Roman army, and within a short time he stormed two allies of Veii, Falerii and Capena, which resisted behind their walls. In 398 BC, Camillus received consular tribune powers and then looted Capena.

When Rome suffered severe defeats in 396 BC, the tenth year of this war, the Romans resorted again to Camillus, who was named dictator for the first time. After defeating both Falerii and Capena at Nepete, Camillus commanded the final strike against Veii. He dug the soft ground below the walls and the Romans infiltrated through the city's sewage system effectively, defeating the enemy. Not interested in capitulation terms, but in Veii's complete destruction, the Romans slaughtered the entire adult male population and made slaves of all the women and children. The plunder was large. For the battle, Camillus had invoked the protection of Mater Matuta extensively, and he looted the statue of Juno for Rome. Back in Rome, Camillus paraded on a quadriga, a four-horse chariot, and the popular celebrations lasted four days. 

Years later, when the Gauls attacked and sacked Rome, their leader Brennus, when the Romans were collecting the gold he demanded, threw  his sword and belt on the scales and shouted in Latin, "Vae victis!" ("woe to the conquered"). Subsequently, when Camillus arrived with a Roman army and, after putting his sword on the scale, replied,"Non auro, sed ferro, recuperanda est patria" ("not with gold, but with iron, will the fatherland be regained"), and he attacked the Gauls. A battle ensued in the streets of Rome, but neither army could fight effectively in the narrow streets and alleyways. The Gallic and Roman armies left the city and fought the next day. Camillus's army lived up to his hopes and the Gallic army was routed. The Romans dubbed Camillus a "second Romulus," a second founder of Rome.


Image: Bronze sculpture of Camillus, 1st century CE, at the Capitoline Museum in Rome.  Image courtesy of the museum.

 

Comments

Post a Comment

Popular posts from this blog

Imperial Italic G Roman helmet found near Hebron at the Israel Museum in Jerusalem

Image
Imperial Italic G Roman helmet found near Hebron at the Israel Museum in Jerusalem. This distinctive Imperial Italic G-style helmet was a 2nd century development derived from the earlier Coolus-style helmets with a domed bowl fashioned after La Tène III helmet types. The original Coolus-style helmets were named after the city of Coolus in northeastern France where a helmet of the Coolus type was dredged from the River Marne. Ro man helmets were typically constructed of a copper alloy or bronze. Some were spun on a lathe rather than hammered into shape with a turned, cast-soldered or riveted crest knob. The brow-guard was designed to protect the front of the face from downward-slashing sword blows, just as the neck-guard was intended to deflect blows aimed at the nape of the neck and shoulders. The Hebron helmet is also constructed with post-Dacian Wars crossbars on the crown, thought to have been part of the original construction, as evidenced by the brass lunate decorations applie...
Read more

The iconic kausia hat of ancient Macedon

Image
 While researching artwork of ancient Macedon this morning, I stumbled across an interesting image of a 3rd Century BCE Macedonian wearing a kausia, headgear said by some scholars to be adapted from a style worn in the Hindu Kush during Alexander the Great's campaign there.  Other scholars think the kausia was identified with Macedonia for too long to have been imported from Asia.   Depictions of the kausia can be found on a variety of coins and statues found from the Mediterranean to the Greco-Bactrian kingdom and the Indo-Greeks in northwestern India. The Persians referred to both the rest of the Greeks and Macedonians as "Yauna" (Ionians), but made a distinction between "Yauna by the sea" and those "with hats that look like shields" (yauna takabara), probably referring to the Macedonian kausia hat.  You can see Alexander himself wearing a kausia and fighting an Asiatic lion with his friend Craterus in a late 4th century BCE mosaic from Pella as well...
Read more

Roman and Byzantine mosaics at the Haleplibahçe Mosaics Museum in Şanlıurfa, Turkey.

Image
Roman and Byzantine mosaics at the Haleplibahçe Mosaics Museum in Şanlıurfa, Turkey. Opened in 2015, the modern 6,000 square meter Haleplibahce Mosaic Museum houses the remains of the mosaic pavements of a large Roman villa uncovered during a municipal construction project i n Şanlıurfa, Turkey. Şanlıurfa, also known as Urfa, is built on the site of the ancient Greek city of Edessa. Discoveries include mosaics depicting the life of Achilles, including his mother, Thetis, holding him by the heel and dipping him into the waters of the River Styx, his training by the centaur, Chiron, and his departure for the Trojan War. Another pavement depicts Amazon queens hunting wild beasts. Mosaics from other archaeological areas depict various animals, Ktisis, a figure personifying the act of generous donation or foundation often found in 6th century Greek mosaics, and a 2nd century CE depiction of the myth of Orpheus. The Orpheus mosaic was recently repatriated from the Dallas Museum of Art. ...
Read more