Antiquities Exhibits

In the early 600s BCE, new artistic ideas flowed into Greece as a result of increased contacts with the Near East. Because of Crete’s central location along maritime trade routes between these regions, artists on the island played a leading role in synthesizing native and Near Eastern elements. An artist from Crete that became known as Daidalos (Daedalus) , produced a series of female figurines that combined both Greek and Near Eastern features including triangular faces and stylized wig-like hair forming two upward-facing triangles on either side of the face.  The top of the head is flattened to maintain triangularity, giving a “brainless look”, according to some scholars, and producing a low forehead with a straight hairline. The eyes are usually large and set rather high.The woman is portrayed in a frontal orientation and the female's clothing was often depicted as formless drapery or as a simple style, sometimes decorated with geometric patterns, tied with a wide belt at the wa...

According to Jeremy McInerney, the iconography of the bull permeates Minoan culture. The cult of the bull was also prominent in southwestern Anatolia. Bernard Clive Dietrich notes that the most important animal in the Neolithic shrines at Çatalhöyük was the bull. The bull was a chthonic animal associated with fertility and vegetation. It figured in cave cults connected with rites for the dead.   According to Greek myth, to confirm his right to rule, King Minos of Crete prayed to Poseidon to send him a snow-white bull as a sign. Poseidon sent Minos the bull, with the understanding that bull would be sacrificed to the god. Deciding that Poseidon's bull was too fine of a specimen to kill, Minos sent the bull to his herds and substituted another, inferior bull for sacrifice. Enraged, Poseidon had Aphrodite cause Pasiphaë, wife of Minos, to fall in love with the bull. She subsequently gave birth to the half-man, half-bull, Minotaur. Poseidon passed on his rage to the bull, causing ...

I noticed this morning that Carole Raddato retweeted a link to her excellent article, "Exploring Western Crete's Archaeological Treasures" that she originally wrote back in May 2019. I must have missed the original post so read it for the first time today and found it fascinating and beautifully illustrated.  So I am featuring an abstract of it as today's "Antiquity Alive" presentation: "The Minoan civilization emerged on the island of Crete in the Early Bronze Age at the end of the third and beginning of the second millennium BCE. It flourished from c. 2000 BCE until c. 1500 BCE with the establishment of centres, called "palaces" by modern archaeologists, that concentrated political and economic powers, as well as artistic activities. Of particular significance was the religious role played by the palaces in the cult of the Mother Goddess." "The British archaeologist Sir Arthur Evans discovered the first of these palaces in Knossos ...

The iconic figurine of a woman holding a snake in either hand with a cat sitting on top of her head discovered by Arthur Evans in the "Pillar Shrine" within the Minoan palace of Knossus, Crete is probably one of the most instantly recognized artifacts from the Minoan world.  The original faience sculpture is displayed today at the Herakleion Archaeological Museum on Crete.  But a less well known delicate figurine composed of ivory and gold, dating from 1750 to 1580 BCE, can be seen in the Walters Art Museum in Baltimore, Maryland. In the ancient world, snakes were symbolically associated with the renewal of life because the reptile was known for sheddding its skin periodically.  This belief was shared not only by the Minoans and Pelasgians, indigenous inhabitants of the Aegean Sea region and their cultures, but by the ancient Mesopotamians and Semites as well. Within the Greek Dionysiac cult, the serpent signified wisdom and was a symbol of fertility.  Other scholars...

In Greek art, the kriophoros is usually a shepherd or, later, Hermes. This statuette may be unique in presenting a warrior-hero as kriophoros. It is certainly one of the earliest sculptural representations of this type. The figure appears to be wearing a helmet, secured under the chin with a painted strap. Double outlines, reinforced at the bottom with incision and adorned with dotted circles in the area of the nipples, were used to suggest breastplates. A thick waist belt, decorated with painted crosshatched lines, is clearly the heroic zoster (warrior's belt). As described in ancient Homeric poetry, the zoster is the ultimate symbol of valor and prowess, worn by such heroes as the brothers Agamemnon and Menelaos and old King Nestor. This figure is shown in the solemn act of presenting a ram, most likely as a sacrificial offering, to a god or goddess. - Cleveland Art Museum Image: Kriophoros (Ram-Bearer) Crete 7th century BCE Terracotta courtesy of the Cleveland Art Museum

These helmets and mitra (belly guards) are among the finest pieces of a large cache of armor found near Afrati in south central Crete. The inscriptions suggest that the armor was captured as booty and offered as a dedication. In repoussé on both sides of one helmet is a pair of winged youths grasping a pair of intertwined snakes. Below them are two panthers with a common head. The helmet is inscribed "Neopolis." In repoussé on both sides of the other helmet is a horse. Incised on each cheekpiece is a lion. Images of strength and calm, these creatures were intended to provide symbolic protection in battle. The helmets are made in symmetrical pieces and tapered at the base to protect the warrior's neck. The inscription states that Synenitos, the son of Euklotas, took this object. The mitrai were suspended from belts to protect the lower abdomen. One, with a depiction of the foreparts of horses, is inscribed "Synenitos, the son of Euklotas, [took] this." Th...

Archaeological Museum of Mesara in Gortys, Crete now open! Gortys, also known as Gortyn or Gortyna is one of the most important cities in Crete with an unbroken history of 6,000 years and one of the most extensive archaeological sites in Greece. It lies in south central Crete in the fertile Mesara plain, the site of the first human habitation of Crete at the end of the Neolithic period (5th millennium BC). Gortys was one of the f irst areas of Crete to attract the attention of researchers and archaeologists as early as the period of Turkish occupation in the late 19th century, when Minoan civilization was still a matter of conjecture and myth. In 1884 the discovery and preservation of the Great Inscription by Iosif Hatzidakis, Stefanos Xanthoudides and Italian Federico Halbherr led to excavations in the Gortys area and these explorations brought important buildings and finds to light, although a large part of the Roman city still remains unexplored today. The area has been inhabite...